Automation is an integral part of 20th-century life. One of its most familiar manifestations, the vending machine, originated shortly before the turn of the century.
In 1883, Percival Everett invented the first commercially viable coin-operated vending machine. For many products, sales people became unnecessary and by 1887, the Adam Gum Company had installed machines that sold Tutti-Frutti on at the El platforms in New York City. Vending became a craze, and machines, which dispensed everything from postcards to seltzer, sprang up across America and Europe.
Mathew Stiffens filed his patent for an automatic photography machine in 1889, the same year that Monsieur Enjalbert demonstrated a similar machine at the Exposition Universelle in Paris Producing tintypes for use as souvenirs, ID s and tokens of affection, this type of machine proliferated until after World War 1. The machines were never totally self-operative and failed because of coin jams and their need for frequent chemical changes and repairs.
The photographic product these machines produced was considered second-rate compared to the more desirable albumin and platinum prints which were costly and required the services of a professional photographer and studio. These tintypes were stiff and awkward in addition to being difficult to view in many lighting situations. Nevertheless thousands upon thousands were produced. Tintypes were cheap and easy, portraits of the masses, much like the modern photo booth portraits that came later.
The field of photography progressed, technological advances continued, and in 1925 Anatol Josepho, a Socialist from Siberia, patented his Photomaton An automatic photography machine, the Photomaton produced a strip of 8 photographs of good quality in 8 minutes. The inventor had drawn up his plans for the machine while traveling across China as an itinerant photographer, refined his technical prowess in Hollywood, built the prototype in a Harlem loft and set up his first photo booth studio at Broadway and 51st Street in New York City.
In 1927, the enterprising Josepho, 33 years old, achieved the Great American Dream by selling the rights to his invention for the considerable sum of $1,000,000, The buyers were a group of businessmen planning to establish 70 of these mechanical studios at Coney Island, Atlantic City and strategic points throughout the United States by the end of the first year. But beyond serving as a toy for the inquisitive, the machine became very common as a source of portraits for chauffeurs' licenses, passports, and such uses."
The Photomaton automatically took and developed eight pictures of you in eight minutes.
From twelve to one was the busiest time for the Photomaton. Then the attendants at the three booths become automatons, herding the prospects in one line with one hand, guiding the immediate sitter with another, while muttering directions to both. Into the booths slipped wearied suburban shoppers, with packages dangling from every finger, on their lunch-hour, young men who would not be parted from their caps, photo or no photo, and whose mouths are a glitter of gold. One by one they took their places under the spotlight, smile widely from left to right and straight, and at last joined the waiters by the picture-slot.
Not much has changed since then. Many of the black and white machines that are still around look as if they're leftovers from a past era. The quick, cheap, and easy photo they produce seems a throwback too.